Showing posts with label Francesco Strizzi. Show all posts
Showing posts with label Francesco Strizzi. Show all posts

Sunday, June 25, 2023

Sull’Impronta. Gallery Nostrum. Vernissage 24 June, 2023.

« Sull’Impronta » 

Francesco and Andrea Strizzi

24 June - 8 July 2023

Vernissage: Saturday 24 June, 16hr - 19hr 


Two sculptural researchers have as a common trait, the use of imprint to create a « space of sound ».

On one side , the testimony of a past sound; traces like  fossils that reconstruct a score, a tactile path of listening.

On the other, couples of elements ; sensitive to enter into a relationship of acoustic resonance.

The contrast between flat and curved volumes, between full and empty, distinguishes both works.

 In one case, it coexists in a single support that offers us the photograph of a past sound. In the other, it takes the form of a dualism of acoustic systems, inert but potentially capable of generating sound.



Francesco Strizzi, trained in lutherie at the Civica Scuola di Liuteria di Milano, graduated in sculpture from the Accademia di Belle Arti di Brera and in Sound-Art at the ARD&NT Institute in Milan. He proposes a series of works entitled « Relazioni Invisibili » in which two types of geometric solids, arranged as inert elements, carry within them the potential generation of a harmonic sound.

The two systems, parallelepipeds and hollow spheres are tuned two by two on the same frequency and if coupled, they enter into a sympathetic relationship, they resonate, they generate a sound.

The sounds resulting from these dualisms, recorded, becomes a musical composition that accompanies the visual tension between the elements.


Andrea Strizzi is an Italian sculptor trained at the Accademia di Belle Arti di Brera, where he currently works. His current project "Toccare il suono - Impronte Sonore" proposes a series of audio-tactile installations, created with the participation of percussionist Stefano Corbetta.

The drumsticks of the musician leave on the surface of the fresh clay the traces of the sound action, the sound of which is recorded. The baked clay, which bears witness to it in the manner of a score, allows you to tactilely retrace the generative path of the work, accompanied by listening through headphones to the sounds that have marked its furrows.






Francesco (L) and Andrea (R) Strizzi.



Gallery Nostrum





Tuesday, November 1, 2022

What remains... Vernissage. Gallery Nostrum, 22.10.22


from press release:

Gallery Nostrum presents: What remains…

22.10.22 – 23.12.22

Vernissage: Saturday 22nd October 15hr -18hr.

Participating artists: Dilum Coppens, Hadrien Loumaye, Axelle VM Philtjens, Mathieu V Staelens, Francesco Strizzi.

With the question, what remains…? Comes the insinuation that something has been lost, removed, destroyed or forgotten.

What that could have been, be it corporeal, spiritual or temporal, was at the forefront when selecting the work for this first, group exhibition at Gallery Nostrum.

 What remains… is an exhibition of five artists living and working in Belgium.

 




















Dilum Coppens (1993 Asse, Be) is preoccupied with meaning and the search for its true nature. He intertwines text and imagery, mythology and modern references. From the surviving fragments of ancient texts (the rest being lost or deliberately destroyed) he invites multiple interpretations that refuse to be tied down. It appears at first glance, many elements or distractions have been removed from these paintings by Hadrien Loumaye (1999 Brussels, Be). The saturated colour palettes and the delicate nervousness of the gestures, creates an ambiguity to produce canvases that defy their scale. What remains of you, by Axelle VM Philtjens (2000 Alken, Be) was the starting point for this exhibition. She views the world in layers and transient parts.To her, photography is a tool to expose and dissect these layers. With the destructive techniques of her experimental polaroids, she exposes facets to the viewer of themselves and the world that surrounds them. Mathieu V Staelens (1980 Ostend, Be) has a long history of investigating the figure, exploring identity and the personality industry. With his recent subjects, the mask, the costume, the meat has be stripped away. In this exhibition, two of Mathieu’s recent skeletal works are shown alongside two older pieces, where the figure is absent, leaving small but grandly poetic works. The sculptor Francesco Strizzi (1990 Guissano, Italy), captures the folded stages of origami shapes. It is what remains of this meeting that is framed by the light and shadow on the white plane of the plaster.

Gallery Nostrum