Showing posts with label contemporary art belgium. Show all posts
Showing posts with label contemporary art belgium. Show all posts

Thursday, November 23, 2023

In apnea. Paintings by Caroline Ledoux. Gallery Nostrum (BE). Nov 2023.

November 10th - December 9th, 2023.

Man is captive and a stranger to a world that escapes him.

Animist thought.

Pastel colored bunkers, refined or dark landscapes, the world is magical and scary.

The landscape is active.

Fascinated but resigned, spectral beings, wander melancholically and passively in this strange universe for which they do not have the codes.

In apnea. Between two eras.

And our ruins in freeze frame…


























Man is captive and a stranger to a world that escapes him.

In the 1960s, the chemist James Lovelock (1919-2022) formulated the hypothesis of an Earth capable of self-regulation.

This theory is still subject to controversy but it is, for the philosopher Bruno Latour, as important as the discovery of heliocentrism by Galileo. It still infuses current thinkers and is at the heart of numerous debates around the Anthropocene.

In this vision, each organism necessarily contributes to the balance of the system. This notion of community induces an equivalence of roles: it is a fragile alchemy of the whole which allows life to continually adapt and persist for three billion years. If an element fails, it is eliminated.

In my paintings the earth system, deterministic, has decided to continue to function without man.

No longer having their place in this model, spectral beings, wander resigned, in apnea, in a worrying world for which they no longer have the codes, and which ignores them.

Existence hanging by a thread.

The traces of their passage remain, like stigmata of their dysfunctions: empty battlefields, bunkers from the Second World War, the ghost mining town of Ha-Shima*... so many marks of failures of being at world.

*Ha-Shima (or Gunkan-jima) is a coal mining island city off the coast of Nagasaki, Japan. Massively exploited by Mitsubishi since 1890, this territory of 0.063 km2 had the highest population density in the world in the 1950s. After having suffered numerous typhoons, hostile and dilapidated, it is today listed as a UNESCO world heritage site.

Caroline Ledoux is originally from Namur (Be). In 2014 she began studying painting at the Academy of Fine arts in Wavre (Be). Since then she has participated in numerous exhibitions across Belgium and in 2020 was awarded the public prize at the Concours des arts plastiques et visuels de Nivelles (Be). Recent exhibitions include Osmoses, Osmosekes  at Espace Hors Les Murs (Tangissart, Be) and Cracks at Wetground (Brussels, Be).

This is Caroline’s first solo-exhibition at Gallery Nostrum. Her work was previously included in the Galleries’ group exhibition bodies: noun/verb (Jan ’23) and JOY SANDWICH (Jul ’23), a world-wide project devised by renowned British artist, Stuart Semple.



















Saturday, June 10, 2023

« Osmose-Osmoskes » Vernissage at Hors les murs, (BE) June 9, 2023

 On a perfect evening in June, I had the pleasure of seeing a great group show at "Hors les murs" a refreshingly interesting art space in Court-Saint-Ăˆtienne, Belgium. 

Osmose-Osmoskes: 

Caroline Ledoux, Olivier Van Uffel, Anne-Sophie Brassine.

10/11 June, 17/18 June, 24/25 June.

Olivier Van Uffel.

Caroline Ledoux.

Caroline Ledoux.

Olivier Van Uffel.

Olivier Van Uffel.

Olivier Van Uffel.


Caroline Ledoux.


Anne-Sophie Brassine.

Anne-Sophie Brassine.

Caroline Ledoux.

Anne-Sophie Brassine.

Caroline Ledoux.

Caroline Ledoux.

Caroline Ledoux.

Caroline Ledoux.

Anne-Sophie Brassine.


Hors les murs : Rue de Villers 45, 1490 Court-Saint-Étienne. 
HLM1490@proton.me


Sunday, February 5, 2023

Gallery Nostrum, (BE). bodies: noun / verb. Vernissage 14, 01, 2023.

bodies: noun / verb.

noun

plural noun: bodies.

The physical structure, including the bones, flesh, and organs, of a person or an animal.

verb

3rd person present: bodies

To give material form to something abstract.









January 14 – February 18, 2023.

The work of Inge Dompas (BE) is about the transiency and volatility of life.

The transient figures she observes depict the anonymity of the masses as well as the rare and precious moments of true contact and intimacy. www.ingedompas.com

Caroline Ledoux’s (BE) current focus is our impossibility as a species to exist in the world. Deserted landscapes peopled only with silhouettes, buildings or armchairs serve as fossils of our existence. Her work places us on the threshold of a self-regulating world that chooses to continue without man. instagram.com/ledoux.caroline

The photographs of Charles Lemaire (BE) concentrate on the human body and skin (tattoos, scars, body modifications, aging). With these works, the focus is intensified to the point where the flesh becomes a landscape and the marks of human inhabitants and interaction are clear. www.charleslemaire.eu

The film director Antoine Vans (BE) uses painting as an antidote to some of the lighter aspects of his “other profession”. His canvases embody the frustrations he would otherwise be unable to capture and express. instagram.com/antoine.vans

In describing some of the pieces included in this show, Ehrling White (Ca/US) paraphrased a text by David Hinton. That there is a bridge linking the body itself and the act of art-making. The corporeal form that creates, or lives, and sheds its skin. The leaving it behind, is a natural process. Maybe art making, being very human and laden with history, thoughts, afterthoughts, and second thoughts, is a neurotic attempt to calcify some fraction of it all, give it a body, like a fossil, for others to make of what they wish, or not, long after we’ve moved on. www.ehrlingwhite.com